Films like The Criminal Life of Archibaldo de la Cruz.

The Criminal Life of Archibaldo de la Cruz (1955) reads as Neutral, kinetic, measured dark-comedy / drama, inventive in texture. Ambivalent, intimate, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

RoGoPaG (1963) poster
1. RoGoPaG1963

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

The Strange Voyage (1964) poster
2. The Strange Voyage1964

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

La Ricotta (1963) poster
3. La Ricotta1963

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

China Is Near (1967) poster
4. China Is Near1967

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

The Girls (1968) poster
5. The Girls1968

Keeps the unmistakable directorial hand and the patient, unhurried pace; trades toward a cold, bleak undertow.

Capriccio all'italiana (1968) poster
6. Capriccio all'italiana1968

Keeps the unmistakable directorial hand and the patient, unhurried pace; trades toward a cold, bleak undertow.

Masculin Féminin (1966) poster
7. Masculin Féminin1966

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a bone-dry seriousness.

The Witches (1967) poster
8. The Witches1967

Keeps the unmistakable directorial hand and the patient, unhurried pace; trades toward a cold, bleak undertow.

Black Lizard (1968) poster
9. Black Lizard1968

Keeps the patient, unhurried pace and the intimate, personal stakes; trades toward a cold, bleak undertow.

Elegant Beast (1962) poster
10. Elegant Beast1962

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Trans-Europ-Express (1966) poster
11. Trans-Europ-Express1966

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a strange, dreamlike logic.

Pierrot le Fou (1965) poster
12. Pierrot le Fou1965

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

These are The Criminal Life of Archibaldo de la Cruz’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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