FilmsThe DevilLike this

Films like The Devil.

The Devil (1972) reads as Heavy, breathless, extreme horror / drama, surreal in texture. Nihilistic, mid-stakes, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

The Third Part of the Night (1971) poster
1. The Third Part of the Night1971

Keeps the cold, bleak undertow and the pitch-dark outlook — one of the nearest reads in the catalogue.

Blind Beast (1969) poster
2. Blind Beast1969

Keeps the pitch-dark outlook and the bone-dry seriousness; trades toward a patient, unhurried pace.

Suspiria (1977) (1977) poster
3. Suspiria1977

Keeps the pitch-dark outlook and the bone-dry seriousness; trades toward a patient, unhurried pace.

Tetsuo: The Iron Man (1989) poster
4. Tetsuo: The Iron Man1989

Keeps the pitch-dark outlook and the white-knuckle intensity; trades toward a relentless forward drive.

A Clockwork Orange (1971) poster
5. A Clockwork Orange1971

Keeps the pitch-dark outlook and the white-knuckle intensity; trades toward a patient, unhurried pace.

Django Kill... If You Live, Shoot! (1967) poster
6. Django Kill... If You Live, Shoot!1967

Keeps the pitch-dark outlook and the bone-dry seriousness; trades toward a patient, unhurried pace.

Female Prisoner Scorpion: Jailhouse 41 (1972) poster
7. Female Prisoner Scorpion: Jailhouse 411972

Keeps the bone-dry seriousness and the white-knuckle intensity; trades toward a strange, dreamlike logic.

Female Prisoner #701: Scorpion (1972) poster
8. Female Prisoner #701: Scorpion1972

Keeps the bone-dry seriousness and the white-knuckle intensity; trades toward a strange, dreamlike logic.

Woman of Fire (1971) poster
9. Woman of Fire1971

Keeps the pitch-dark outlook and the white-knuckle intensity; trades toward a patient, unhurried pace.

The Deserter and the Nomads (1968) poster
10. The Deserter and the Nomads1968

Keeps the white-knuckle intensity and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Pink Floyd — The Wall (1982) poster
11. Pink Floyd — The Wall1982

Keeps the cold, bleak undertow and the pitch-dark outlook; trades toward a patient, unhurried pace.

Female Prisoner Scorpion: Beast Stable (1973) poster
12. Female Prisoner Scorpion: Beast Stable1973

Keeps the bone-dry seriousness and the white-knuckle intensity; trades toward a patient, unhurried pace.

These are The Devil’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

Find my film for tonight — 60 sec →