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Films like The Front Page.

The Front Page (1974) reads as Warm, breathless, measured newspaper / remake, grounded in texture. Ambivalent, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Cotton Comes to Harlem (1970) poster
1. Cotton Comes to Harlem1970

Keeps the grounded, familiar shape and the heightened unreality — one of the nearest reads in the catalogue.

The Girl with a Pistol (1968) poster
2. The Girl with a Pistol1968

Keeps the grounded, familiar shape and the heightened unreality — one of the nearest reads in the catalogue.

Just Tell Me What You Want (1980) poster
3. Just Tell Me What You Want1980

Keeps the grounded, familiar shape and the heightened unreality — one of the nearest reads in the catalogue.

How I Unleashed World War II (1970) poster
4. How I Unleashed World War II1970

Keeps the grounded, familiar shape and the heightened unreality — one of the nearest reads in the catalogue.

The Brink's Job (1978) poster
5. The Brink's Job1978

Keeps the grounded, familiar shape and the heightened unreality — one of the nearest reads in the catalogue.

The Tall Blond Man with One Black Shoe (1972) poster
6. The Tall Blond Man with One Black Shoe1972

Keeps the grounded, familiar shape and the heightened unreality — one of the nearest reads in the catalogue.

What Did You Do in the War, Thanasi? (1971) poster
7. What Did You Do in the War, Thanasi?1971

Keeps the grounded, familiar shape and the heightened unreality — one of the nearest reads in the catalogue.

Porky's (1981) poster
8. Porky's1981

Keeps the grounded, familiar shape and the heightened unreality; trades toward a patient, unhurried pace.

Vabank (1981) poster
9. Vabank1981

Keeps the grounded, familiar shape and the heightened unreality — one of the nearest reads in the catalogue.

I'm All Right Jack (1959) poster
10. I'm All Right Jack1959

Keeps the grounded, familiar shape and the heightened unreality — one of the nearest reads in the catalogue.

The Twelve Chairs (1971) poster
11. The Twelve Chairs1971

Keeps the grounded, familiar shape and the heightened unreality; trades toward a warm emotional register.

My Friends (1975) poster
12. My Friends1975

Keeps the grounded, familiar shape and the heightened unreality; trades toward a cold, bleak undertow.

These are The Front Page’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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