FilmsThe GetawayLike this

Films like The Getaway.

The Getaway (1972) reads as Sombre, breathless, extreme action / crime, grounded in texture. Nihilistic, mid-stakes, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

The Killer Elite (1975) poster
1. The Killer Elite1975

Keeps the cold, bleak undertow and the heightened unreality — one of the nearest reads in the catalogue.

The French Connection II (1975) poster
2. The French Connection II1975

Keeps the heightened unreality and the grounded, familiar shape — one of the nearest reads in the catalogue.

Across 110th Street (1972) poster
3. Across 110th Street1972

Keeps the heightened unreality and the grounded, familiar shape; trades toward a cold, bleak undertow.

Dirty Harry (1971) poster
4. Dirty Harry1971

Keeps the heightened unreality and the grounded, familiar shape; trades toward a cold, bleak undertow.

The Taking of Pelham One Two Three (1974) poster
5. The Taking of Pelham One Two Three1974

Keeps the cold, bleak undertow and the heightened unreality — one of the nearest reads in the catalogue.

Japan Organized Crime Boss (1969) poster
6. Japan Organized Crime Boss1969

Keeps the grounded, familiar shape and the bone-dry seriousness; trades toward a cold, bleak undertow.

Play Misty for Me (1971) poster
7. Play Misty for Me1971

Keeps the heightened unreality and the grounded, familiar shape; trades toward a patient, unhurried pace.

The Man on the Roof (1976) poster
8. The Man on the Roof1976

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

The Chase (1966) poster
9. The Chase1966

Keeps the heightened unreality and the grounded, familiar shape; trades toward a patient, unhurried pace.

Black Caesar (1973) poster
10. Black Caesar1973

Keeps the grounded, familiar shape and the bone-dry seriousness; trades toward a cold, bleak undertow.

Four Riders (1972) poster
11. Four Riders1972

Keeps the cold, bleak undertow and the grounded, familiar shape; trades toward a heightened unreality.

The Threat (1966) poster
12. The Threat1966

Keeps the grounded, familiar shape and the bone-dry seriousness — one of the nearest reads in the catalogue.

These are The Getaway’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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