Films like The Good, the Bad, the Weird.

The Good, the Bad, the Weird (2008) reads as Neutral, breathless, measured western / action, inventive in texture. Ambivalent, mid-stakes, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

T2 Trainspotting (2017) poster
1. T2 Trainspotting2017

Keeps the cold, bleak undertow and the heightened unreality — one of the nearest reads in the catalogue.

Jigarthanda (2014) poster
2. Jigarthanda2014

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Wild Tales (2014) poster
3. Wild Tales2014

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

The Wolf of Wall Street (2013) poster
4. The Wolf of Wall Street2013

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

RocknRolla (2008) (2008) poster
5. RocknRolla2008

Keeps the cold, bleak undertow and the heightened unreality — one of the nearest reads in the catalogue.

In Order of Disappearance (2014) poster
6. In Order of Disappearance2014

Keeps the heightened unreality and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Hidden Man (2018) poster
7. Hidden Man2018

Keeps the cold, bleak undertow and the heightened unreality — one of the nearest reads in the catalogue.

Blindspotting (2018) poster
8. Blindspotting2018

Keeps the cold, bleak undertow and the heightened unreality — one of the nearest reads in the catalogue.

First Love (2019) poster
9. First Love2019

Keeps the cold, bleak undertow and the heightened unreality — one of the nearest reads in the catalogue.

Riders of Justice (2020) poster
10. Riders of Justice2020

Keeps the cold, bleak undertow and the heightened unreality; trades toward a patient, unhurried pace.

No Mercy for the Rude (2006) poster
11. No Mercy for the Rude2006

Keeps the cold, bleak undertow and the heightened unreality; trades toward a unmistakable directorial hand.

Tazza: The High Rollers (2006) poster
12. Tazza: The High Rollers2006

Keeps the cold, bleak undertow and the heightened unreality; trades toward a grounded, familiar shape.

These are The Good, the Bad, the Weird’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

Find my film for tonight — 60 sec →