Films like Parthenope (Sorrentino).
Parthenope (Sorrentino) (2024) reads as Sombre, measured, measured drama, inventive in texture. Ambivalent, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.
Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.
Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.
Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.
Keeps the unmistakable directorial hand and the intimate, personal stakes — one of the nearest reads in the catalogue.
Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.
Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.
Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.
Keeps the cold, bleak undertow and the intimate, personal stakes — one of the nearest reads in the catalogue.
Keeps the unmistakable directorial hand and the intimate, personal stakes; trades toward a patient, unhurried pace.
Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.
Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.
Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.
These are Parthenope (Sorrentino)’s neighbours — where are yours?
Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.
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