FilmsThe LobsterLike this

Films like The Lobster.

The Lobster (2015) reads as Sombre, measured, measured comedy / drama, surreal in texture. Nihilistic, mid-stakes, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Bugonia (Lanthimos 2025) (2025) poster
1. Bugonia (Lanthimos 2025)2025

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a chilly detachment.

In Fabric (2018) poster
2. In Fabric2018

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a bone-dry seriousness.

Everything Will Be OK (2006) poster
3. Everything Will Be OK2006

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

The Temptation of St. Tony (2009) poster
4. The Temptation of St. Tony2009

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a patient, unhurried pace.

Sorry to Bother You (2018) poster
5. Sorry to Bother You2018

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a patient, unhurried pace.

Goltzius and the Pelican Company (2012) poster
6. Goltzius and the Pelican Company2012

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a bone-dry seriousness.

Beau Is Afraid (2023) poster
7. Beau Is Afraid2023

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a patient, unhurried pace.

Slack Bay (2016) poster
8. Slack Bay2016

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a patient, unhurried pace.

Nowhere (Gregg Araki) (1997) poster
9. Nowhere (Gregg Araki)1997

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Holy Motors (2012) poster
10. Holy Motors2012

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a cold, bleak undertow.

Being John Malkovich (re-pass) (1999) poster
11. Being John Malkovich (re-pass)1999

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a cold, bleak undertow.

Pity (2018) poster
12. Pity2018

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a heightened unreality.

These are The Lobster’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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