Films like The Young Girls of Rochefort.

The Young Girls of Rochefort (1967) reads as Cosy, kinetic, gentle musical / romance, inventive in texture. Redemptive, intimate, tender. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Harold and Maude (1971) poster
1. Harold and Maude1971

Keeps the unmistakable directorial hand and the stubborn streak of hope; trades toward a cold, bleak undertow.

Mon Oncle (1958) poster
2. Mon Oncle1958

Keeps the unmistakable directorial hand and the stubborn streak of hope; trades toward a patient, unhurried pace.

Mon Oncle (re-pass) (1958) poster
3. Mon Oncle (re-pass)1958

Keeps the unmistakable directorial hand and the stubborn streak of hope; trades toward a patient, unhurried pace.

Cheburashka (1971) poster
4. Cheburashka1971

Keeps the stubborn streak of hope and the warm emotional register; trades toward a unmistakable directorial hand.

The Umbrella (1967) poster
5. The Umbrella1967

Keeps the unmistakable directorial hand and the gentle temperature; trades toward a cold, bleak undertow.

Tampopo(re-pass 2)1985
6. Tampopo (re-pass 2)1985

Keeps the unmistakable directorial hand and the gentle temperature; trades toward a patient, unhurried pace.

Winnie-the-Pooh (1969) poster
7. Winnie-the-Pooh1969

Keeps the stubborn streak of hope and the warm emotional register; trades toward a grounded, familiar shape.

The Boy Friend (1971) poster
8. The Boy Friend1971

Keeps the unmistakable directorial hand and the gentle temperature; trades toward a deep human warmth.

Panda! Go, Panda! (1972) poster
9. Panda! Go, Panda!1972

Keeps the unmistakable directorial hand and the stubborn streak of hope; trades toward a documentary-plain realism.

Help! (1965) (1965) poster
10. Help!1965

Keeps the unmistakable directorial hand and the stubborn streak of hope; trades toward a relentless forward drive.

Young Frankenstein (1974) poster
11. Young Frankenstein1974

Keeps the gentle temperature and the intimate, personal stakes; trades toward a running vein of humour.

An American in Paris (1951) poster
12. An American in Paris1951

Keeps the stubborn streak of hope and the warm emotional register; trades toward a unmistakable directorial hand.

These are The Young Girls of Rochefort’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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