Films like Titicut Follies.

Titicut Follies (1967) reads as Heavy, steady, measured documentary, grounded in texture. Nihilistic, mid-stakes, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Shame (1968) (1968) poster
1. Shame1968

Keeps the cold, bleak undertow and the pitch-dark outlook — one of the nearest reads in the catalogue.

La Noire de... (Black Girl) (1966) poster
2. La Noire de... (Black Girl)1966

Keeps the pitch-dark outlook and the bone-dry seriousness — one of the nearest reads in the catalogue.

They Shoot Horses, Don't They? (1969) poster
3. They Shoot Horses, Don't They?1969

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

The Damned (1969) poster
4. The Damned1969

Keeps the cold, bleak undertow and the pitch-dark outlook — one of the nearest reads in the catalogue.

Le Cercle Rouge (1970) poster
5. Le Cercle Rouge1970

Keeps the pitch-dark outlook and the bone-dry seriousness; trades toward a cold, bleak undertow.

Le Deuxième Souffle (1966) poster
6. Le Deuxième Souffle1966

Keeps the patient, unhurried pace and the bone-dry seriousness; trades toward a cold, bleak undertow.

The Mattei Affair (1972) poster
7. The Mattei Affair1972

Keeps the patient, unhurried pace and the bone-dry seriousness; trades toward a cold, bleak undertow.

Graveyard of Honor (1975) poster
8. Graveyard of Honor1975

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

A Fugitive from the Past (1965) poster
9. A Fugitive from the Past1965

Keeps the patient, unhurried pace and the pitch-dark outlook — one of the nearest reads in the catalogue.

Black Girl (1966) (1966) poster
10. Black Girl1966

Keeps the pitch-dark outlook and the bone-dry seriousness; trades toward a airy, open telling.

The Spy Who Came in from the Cold (1965) poster
11. The Spy Who Came in from the Cold1965

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Days of Wine and Roses (1962) (1962) poster
12. Days of Wine and Roses1962

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

These are Titicut Follies’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

Find my film for tonight — 60 sec →