FilmsTogetherLike this

Films like Together.

Together (2000) reads as Warm, steady, measured drama / comedy, grounded in texture. Ambivalent, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

The Watermelon Woman (1996) poster
1. The Watermelon Woman1996

Keeps the heightened unreality and the unmistakable directorial hand — one of the nearest reads in the catalogue.

The Last Days of Disco (1998) poster
2. The Last Days of Disco1998

Keeps the patient, unhurried pace and the heightened unreality — one of the nearest reads in the catalogue.

Go Fish (1994) (1994) poster
3. Go Fish1994

Keeps the heightened unreality and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Mifune's Last Song (1999) poster
4. Mifune's Last Song1999

Keeps the heightened unreality and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Paris Is Burning (1990) poster
5. Paris Is Burning1990

Keeps the patient, unhurried pace and the heightened unreality — one of the nearest reads in the catalogue.

Volver (2006) poster
6. Volver2006

Keeps the unmistakable directorial hand and the cold, bleak undertow — one of the nearest reads in the catalogue.

The Notorious Bettie Page (2005) poster
7. The Notorious Bettie Page2005

Keeps the patient, unhurried pace and the heightened unreality — one of the nearest reads in the catalogue.

Sidewalls (2011) poster
8. Sidewalls2011

Keeps the heightened unreality and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Boy (2010)2010
9. Boy2010

Keeps the patient, unhurried pace and the heightened unreality — one of the nearest reads in the catalogue.

A Couch in New York (1996) poster
10. A Couch in New York1996

Keeps the heightened unreality and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Barcelona (Whit Stillman) (1994) poster
11. Barcelona (Whit Stillman)1994

Keeps the heightened unreality and the unmistakable directorial hand; trades toward a patient, unhurried pace.

The Man Without a Past (2002) poster
12. The Man Without a Past2002

Keeps the heightened unreality and the unmistakable directorial hand; trades toward a patient, unhurried pace.

These are Together’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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