Films like Traps.
Traps (1998) reads as Sombre, kinetic, measured czech / feminist, inventive in texture. Ambivalent, mid-stakes, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.
Keeps the unmistakable directorial hand and the heightened unreality — one of the nearest reads in the catalogue.
Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.
Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.
Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a relentless forward drive.
Keeps the heightened unreality and the patient, unhurried pace — one of the nearest reads in the catalogue.
Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.
Keeps the unmistakable directorial hand and the heightened unreality — one of the nearest reads in the catalogue.
Keeps the unmistakable directorial hand and the heightened unreality; trades toward a cold, bleak undertow.
Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.
Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.
Keeps the unmistakable directorial hand and the heightened unreality — one of the nearest reads in the catalogue.
Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.
These are Traps’s neighbours — where are yours?
Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.
Find my film for tonight — 60 sec →