FilmsViridianaLike this

Films like Viridiana.

Viridiana (1961) reads as Heavy, measured, measured drama, inventive in texture. Nihilistic, mid-stakes, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

My Life to Live (1962) poster
1. My Life to Live1962

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

The Magician (1958) (1958) poster
2. The Magician1958

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Tristana (1970) (1970) poster
3. Tristana1970

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Three Sad Tigers (1968) poster
4. Three Sad Tigers1968

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

A Report on the Party and Guests (1966) poster
5. A Report on the Party and Guests1966

Keeps the unmistakable directorial hand and the pitch-dark outlook — one of the nearest reads in the catalogue.

Profound Desires of the Gods (1968) poster
6. Profound Desires of the Gods1968

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Él (This Strange Passion) (1953) poster
7. Él (This Strange Passion)1953

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Cul-de-sac (1966) poster
8. Cul-de-sac1966

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Le Petit Soldat (1963) (1963) poster
9. Le Petit Soldat1963

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

McCabe & Mrs. Miller (1971) poster
10. McCabe & Mrs. Miller1971

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Lola Montès (1955) poster
11. Lola Montès1955

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Belle de Jour (1967) poster
12. Belle de Jour1967

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

These are Viridiana’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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