FilmsVixen!Like this

Films like Vixen!.

Vixen! (1968) reads as Neutral, kinetic, measured sexploitation / meyer, inventive in texture. Ambivalent, intimate, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

The Return of an Adventurer (1966) poster
1. The Return of an Adventurer1966

Keeps the intimate, personal stakes and the heightened unreality; trades toward a cold, bleak undertow.

The Whistling Cobblestone (1971) poster
2. The Whistling Cobblestone1971

Keeps the cold, bleak undertow and the intimate, personal stakes; trades toward a patient, unhurried pace.

Switchblade Sisters (1975) poster
3. Switchblade Sisters1975

Keeps the intimate, personal stakes and the heightened unreality; trades toward a cold, bleak undertow.

Hunting Flies (1969) poster
4. Hunting Flies1969

Keeps the intimate, personal stakes and the heightened unreality; trades toward a cold, bleak undertow.

Girl Boss Guerilla (1972) poster
5. Girl Boss Guerilla1972

Keeps the intimate, personal stakes and the heightened unreality; trades toward a cold, bleak undertow.

The Big Doll House (1971) poster
6. The Big Doll House1971

Keeps the intimate, personal stakes and the heightened unreality; trades toward a cold, bleak undertow.

A Stranger in Town (1967) poster
7. A Stranger in Town1967

Keeps the intimate, personal stakes and the heightened unreality; trades toward a cold, bleak undertow.

Big Eyes (1974) poster
8. Big Eyes1974

Keeps the intimate, personal stakes and the heightened unreality; trades toward a patient, unhurried pace.

Stray Cat Rock: Delinquent Girl Boss (1970) poster
9. Stray Cat Rock: Delinquent Girl Boss1970

Keeps the intimate, personal stakes and the heightened unreality; trades toward a cold, bleak undertow.

Frank & Eva (1973) poster
10. Frank & Eva1973

Keeps the intimate, personal stakes and the heightened unreality; trades toward a cold, bleak undertow.

Going Places (1974) poster
11. Going Places1974

Keeps the intimate, personal stakes and the chilly detachment; trades toward a cold, bleak undertow.

The Thief of Paris (1967) poster
12. The Thief of Paris1967

Keeps the intimate, personal stakes and the heightened unreality; trades toward a dense, packed storytelling.

These are Vixen!’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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