FilmsWeLike this

Films like We.

We (1969) reads as Neutral, kinetic, measured documentary / montage, surreal in texture. Ambivalent, mid-stakes, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

The Seasons of the Year (1975) poster
1. The Seasons of the Year1975

Keeps the bone-dry seriousness and the unmistakable directorial hand — one of the nearest reads in the catalogue.

79 Springtimes (1969) poster
2. 79 Springtimes1969

Keeps the bone-dry seriousness and the unmistakable directorial hand; trades toward a cold, bleak undertow.

The First Charge of the Machete (1969) poster
3. The First Charge of the Machete1969

Keeps the bone-dry seriousness and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Black Orpheus (1959) poster
4. Black Orpheus1959

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a bone-dry seriousness.

The Married Woman (1964) poster
5. The Married Woman1964

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a gentle temperature.

Women in Love (1969) poster
6. Women in Love1969

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a cold, bleak undertow.

Tout Va Bien (1972) poster
7. Tout Va Bien1972

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a cold, bleak undertow.

Tokyo Drifter (1966) poster
8. Tokyo Drifter1966

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a pitch-dark outlook.

One Way or Another (1977) poster
9. One Way or Another1977

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a grounded, familiar shape.

Mauvais Sang (1986) poster
10. Mauvais Sang1986

Keeps the unmistakable directorial hand; trades toward a patient, unhurried pace.

Kanto Wanderer (1963) poster
11. Kanto Wanderer1963

Keeps the bone-dry seriousness and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Johnny Guitar (1954) poster
12. Johnny Guitar1954

Keeps the unmistakable directorial hand and the heightened unreality; trades toward a patient, unhurried pace.

These are We’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

Find my film for tonight — 60 sec →