FilmsWest IndiesLike this

Films like West Indies.

West Indies (1979) reads as Sombre, breathless, measured musical / slavery, surreal in texture. Ambivalent, mid-stakes, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Tommy (1975) (1975) poster
1. Tommy1975

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Jubilee (1978) poster
2. Jubilee1978

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a pitch-dark outlook.

Cleopatra (1970) poster
3. Cleopatra1970

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a cold, bleak undertow.

Memories (1995) (1995) poster
4. Memories1995

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Brazil (1985) poster
5. Brazil1985

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Slaughterhouse-Five (1972) poster
6. Slaughterhouse-Five1972

Keeps the cold, bleak undertow and the strange, dreamlike logic; trades toward a unmistakable directorial hand.

A Thousand and One Nights (1969) poster
7. A Thousand and One Nights1969

Keeps the unmistakable directorial hand; trades toward a patient, unhurried pace.

Burst City (1982) poster
8. Burst City1982

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a relentless forward drive.

Coonskin (1975) poster
9. Coonskin1975

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a intimate, personal stakes.

Birds, Orphans and Fools (1969) poster
10. Birds, Orphans and Fools1969

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a pitch-dark outlook.

Phantom of the Paradise (1974) poster
11. Phantom of the Paradise1974

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a cold, bleak undertow.

The Wedding (1973) poster
12. The Wedding1973

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a strange, dreamlike logic.

These are West Indies’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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