Films like Who Can Kill a Child?.

Who Can Kill a Child? (1976) reads as Heavy, steady, extreme horror / thriller, inventive in texture. Nihilistic, mid-stakes, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

The Night Porter (1974) poster
1. The Night Porter1974

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

In a Glass Cage (1986) poster
2. In a Glass Cage1986

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Sorcerer (1977) poster
3. Sorcerer1977

Keeps the patient, unhurried pace and the bone-dry seriousness — one of the nearest reads in the catalogue.

The Goat Horn (1972) poster
4. The Goat Horn1972

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

John the Violent (1973) poster
5. John the Violent1973

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Taxi Driver (1976) poster
6. Taxi Driver1976

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

The Falcons (1970) poster
7. The Falcons1970

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

Invasion of the Body Snatchers (1978) (1978) poster
8. Invasion of the Body Snatchers1978

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a documentary-plain realism.

The Fifth Horseman Is Fear (1965) poster
9. The Fifth Horseman Is Fear1965

Keeps the cold, bleak undertow and the patient, unhurried pace — one of the nearest reads in the catalogue.

The Cannibal Man (1972) poster
10. The Cannibal Man1972

Keeps the cold, bleak undertow and the patient, unhurried pace; trades toward a intimate, personal stakes.

The Joys of Torture (1968) poster
11. The Joys of Torture1968

Keeps the cold, bleak undertow and the bone-dry seriousness; trades toward a patient, unhurried pace.

The New York Ripper (1982) poster
12. The New York Ripper1982

Keeps the cold, bleak undertow and the bone-dry seriousness; trades toward a patient, unhurried pace.

These are Who Can Kill a Child?’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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