Films like Wild Strawberries.

Wild Strawberries (1957) reads as Neutral, measured, gentle drama, inventive in texture. Ambivalent, intimate, measured. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

The White Dove (1960) poster
1. The White Dove1960

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Ajantrik (1958) poster
2. Ajantrik1958

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

Waiting (1974) poster
3. Waiting1974

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Moi, un noir (1958) poster
4. Moi, un noir1958

Keeps the patient, unhurried pace and the cold, bleak undertow; trades toward a heightened unreality.

Dodes'ka-den (1970) poster
5. Dodes'ka-den1970

Keeps the unmistakable directorial hand and the intimate, personal stakes; trades toward a patient, unhurried pace.

The Lovers (Les Amants) (1958) poster
6. The Lovers (Les Amants)1958

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a heightened unreality.

The Enchanted Desna (1964) poster
7. The Enchanted Desna1964

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Man Follows Birds (1975) poster
8. Man Follows Birds1975

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Lola (1961) (1961) poster
9. Lola1961

Keeps the unmistakable directorial hand and the intimate, personal stakes; trades toward a patient, unhurried pace.

The Sun in a Net (1963) poster
10. The Sun in a Net1963

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a patient, unhurried pace.

The Fiancés (1963) poster
11. The Fiancés1963

Keeps the patient, unhurried pace and the cold, bleak undertow; trades toward a heightened unreality.

And There Came a Man (1965) poster
12. And There Came a Man1965

Keeps the patient, unhurried pace and the cold, bleak undertow; trades toward a heightened unreality.

These are Wild Strawberries’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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