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Films like Wrong Cops.

Wrong Cops (2013) reads as Neutral, kinetic, measured crime / comedy, surreal in texture. Nihilistic, intimate, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Tim and Eric's Billion Dollar Movie (2012) poster
1. Tim and Eric's Billion Dollar Movie2012

Keeps the cold, bleak undertow and the chilly detachment — one of the nearest reads in the catalogue.

Greener Grass (2019) poster
2. Greener Grass2019

Keeps the cold, bleak undertow and the strange, dreamlike logic — one of the nearest reads in the catalogue.

Deerskin (2019) poster
3. Deerskin2019

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a white-knuckle intensity.

The Last Days of Emma Blank (2009) poster
4. The Last Days of Emma Blank2009

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a patient, unhurried pace.

R100 (2013) poster
5. R1002013

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a relentless forward drive.

Glory to the Filmmaker! (2007) poster
6. Glory to the Filmmaker!2007

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a cold, bleak undertow.

Keep an Eye Out (2018) poster
7. Keep an Eye Out2018

Keeps the unmistakable directorial hand and the strange, dreamlike logic; trades toward a pitch-dark outlook.

Rubber (2010) poster
8. Rubber2010

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a intimate, personal stakes.

Steak (2007) poster
9. Steak2007

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a intimate, personal stakes.

The Voices (2014) poster
10. The Voices2014

Keeps the cold, bleak undertow and the strange, dreamlike logic; trades toward a chilly detachment.

Waiter (2006) poster
11. Waiter2006

Keeps the cold, bleak undertow and the unmistakable directorial hand; trades toward a chilly detachment.

Next Floor (2008) poster
12. Next Floor2008

Keeps the chilly detachment and the unmistakable directorial hand; trades toward a cold, bleak undertow.

These are Wrong Cops’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

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