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Madame Irma (2006) poster

2006 · comedy

Madame Irma

Directed by Didier Bourdon, Yves Fajnberg1h 30m2006

Francis, who is in his forties, manages the French subsidiary of an American high-tech company. But the shareholders suddenly decide to close it. Depressed by the idea of being unemployed and the prospect of losing his second wife, Francis decides to consult a fortune-teller. The experience is a real eye-opener for him and the start of a new career: He pretends to be a fortune teller himself and turns into Madame Irma. How to explain that to his wife Clotilde?

Our read: Madame Irma (2006) reads as a warm, kinetic, grounded comedy entry — gentle in intensity, intimate in scope, measured in temperature, ambivalent in outlook.

Movie DNA

Warm, kinetic, gentle comedy, grounded in texture. Ambivalent, intimate, measured.

ElsewhereIMDb5.6837
  • warm
  • brisk
  • gentle
  • intimate
Video previewNo trailer available for this one.
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Everyone on the couch spins once and gets one craft to watch for. After the credits, compare what you caught.

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Where the cast leads
DNA · twelve axes

How Madame Irma feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
Tonight, this looks like

What watching it is actually like.

“You want cheeky French farce about reinventing yourself as a fake psychic.”

ends warmyou’ll be fine aftergrabs you earlygrips by minute 6attention 2/5breezes bysubtitles: full
Date nightWith friendsSoloWith parentsKids around
Heads-upcringe humiliation

Skip it tonight — Skip if gender-bending disguise farces feel too silly tonight.

If Madame Irma is your film
Tootsie (1982)
man in drag for insight and new purpose
(you prefer French satire)
La Cage aux Folles (1978)
French farce with performed identity chaos
Victor/Victoria (1982)
gender performance for career and romance
(if you want modern setting)
Nearest by DNA

Eight films that feel like this one.

Closest in the twelve-axis space, not “people also liked”. All films like Madame Irma, with why →

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