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Persona (1966) poster

1966 · drama

Persona

Directed by Ingmar Bergman1h 25m1966

A young nurse, Alma, is put in charge of Elisabeth Vogler: an actress who is seemingly healthy in all respects, but will not talk. As they spend time together, Alma speaks to Elisabeth constantly, never receiving any answer.

Our read: Persona (1966) reads as a heavy, slow-burn, surreal drama entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature.

Movie DNA

Heavy, slow-burn, measured drama, surreal in texture. Nihilistic, intimate, cold.

ElsewhereIMDb8.0139kRT91%Metacritic86TMDB8.12k
  • heavy
  • slow-burn
  • intense
  • surreal
  • bleak
  • cold
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Availability in Latvia · via JustWatch

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Where the cast leads
DNA · twelve axes

How Persona feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
Tonight, this looks like

What watching it is actually like.

“You want hypnotic art cinema about identity that rewards total focus.”

ends ambiguousit stays with youmeditativegrips by minute 25attention 5/5earns its lengthsubtitles: full
Date nightWith friendsSoloWith parentsKids around

Skip it tonight — You need plot momentum; this Bergman two-hander breathes slowly in Swedish.

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Closest in the twelve-axis space, not “people also liked”. All films like Persona, with why →

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