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Pound of Flesh (2015) poster

2015 · action

Pound of Flesh

Directed by Ernie Barbarash1h 44m2015

In China to donate his kidney to his dying niece, former black-ops agent Deacon awakes the day before the operation to find he is the latest victim of organ theft. Stitched up and pissed-off, Deacon descends from his opulent hotel in search of his stolen kidney and carves a blood-soaked path through the darkest corners of the city. The clock is ticking for his niece and with each step he loses blood.

Our read: Pound of Flesh (2015) reads as a sombre, breathless, grounded action entry — extreme in intensity, intimate in scope, cold in temperature, ambivalent in outlook.

Movie DNA

Sombre, breathless, extreme action, grounded in texture. Ambivalent, intimate, cold.

ElsewhereIMDb5.17kRT15%Metacritic41
  • sombre
  • kinetic
  • intense
Game · before you press play

Watching Pound of Flesh tonight? Spin for your lens.

Everyone on the couch spins once and gets one craft to watch for. After the credits, compare what you caught.

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Where the cast leads
DNA · twelve axes

How Pound of Flesh feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
Tonight, this looks like

What watching it is actually like.

“You want bare-knuckle JCVD racing a clock through Manila's underworld.”

ends triumphantyou’ll be fine aftergrabs you earlygrips from the openattention 2/5breezes bysubtitles: partial
Date nightWith friendsSoloWith parentsKids around
Heads-upgraphic violencenudity

Skip it tonight — Skip if cheap action and organ-harvest plots feel too DTV tonight.

Nearest by DNA

Eight films that feel like this one.

Closest in the twelve-axis space, not “people also liked”. All films like Pound of Flesh, with why →

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