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Red White & Blue (2010) poster

2010 · drama · thriller · horror

Red White & Blue

Directed by Simon Rumley1h 42m2010

A woman attracts the attention of a psychotic former Army interrogator and an emotionally fragile young man caring for his ailing mother.

Our read: Red White & Blue (2010) reads as a heavy, measured, inventive drama · thriller · horror entry — extreme in intensity, intimate in scope, cold in temperature, nihilistic in outlook.

Movie DNA

Heavy, measured, extreme drama / thriller, inventive in texture. Nihilistic, intimate, cold.

ElsewhereIMDb6.36kRT85%Metacritic81
  • heavy
  • measured
  • extreme
  • bleak
  • cold
Game · before you press play

Watching Red White & Blue tonight? Spin for your lens.

Everyone on the couch spins once and gets one craft to watch for. After the credits, compare what you caught.

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Everyone on the couch gets one craft to watch for. Spin the wheel to get yours. Sound on: the narrator reads your mission.

Where to watch
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Where the cast leads
DNA · twelve axes

How Red White & Blue feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
Tonight, this looks like

What watching it is actually like.

“You want a punishing revenge story about damage that won't stay buried.”

ends devastatingit will wreck youbuilds to a gut-punch finalegrips by minute 25attention 5/5earns its length
Date nightWith friendsSoloWith parentsKids around
Heads-upgraphic violencesexual violencenudityexplicit sexsuicide theme

Skip it tonight — You cannot handle sexual violence, nudity, or nihilistic brutality tonight.

Nearest by DNA

Eight films that feel like this one.

Closest in the twelve-axis space, not “people also liked”. All films like Red White & Blue, with why →

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