Roadkill
- sombre
- brisk
- extreme
- inventive
- cold
Sombre, kinetic, extreme horror / tv-movie, inventive in texture. Nihilistic, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →Six young friends on a road trip in Ireland run afoul of gypsies who curse them for accidentally running down an old woman. The curse takes the form of a terrifying flying beast that tries killing them all.
Our read · Roadkill (2011) reads as a sombre, kinetic, inventive horror · tv-movie entry — extreme in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
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The shape of Roadkill
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself