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Sarah's Key (2010) poster

2010 · drama · war · sports

Sarah's Key

Directed by Gilles Paquet-Brenner1h 51m2010

On the night of 16 July 1942, ten year old Sarah and her parents are being arrested and transported to the Velodrome d'Hiver in Paris where thousands of other jews are being sent to get deported. Sarah however managed to lock her little brother in a closet just before the police entered their apartment. Sixty years later, Julia Jarmond, an American journalist in Paris, gets the assignment to write an article about this raid, a black page in the history of France. She starts digging archives and through Sarah's file discovers a well kept secret about her own in-laws.

Our read: Sarah's Key (2010) reads as a heavy, steady, grounded drama · war · sports entry — measured in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook.

Movie DNA

Heavy, steady, measured drama / war, grounded in texture. Ambivalent, mid-stakes, measured.

ElsewhereIMDb7.518kRT72%Metacritic59
  • heavy
  • intense
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Where the cast leads
DNA · twelve axes

How Sarah's Key feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
Tonight, this looks like

What watching it is actually like.

“You want a Holocaust mystery braiding 1942 Paris with present-day reckoning.”

ends bittersweetit stays with youa slow buildgrips by minute 15attention 4/5earns its lengthsubtitles: partial
Date nightWith friendsSoloWith parentsKids around
Heads-upchild perilsuicide theme

Skip it tonight — Skip if Holocaust child peril and survivor guilt feel too heavy tonight.

Nearest by DNA

Eight films that feel like this one.

Closest in the twelve-axis space, not “people also liked”. All films like Sarah's Key, with why →

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