Sennentuntschi: Curse of the Alps
- heavy
- brisk
- extreme
- inventive
- bleak
- cold
Heavy, kinetic, extreme thriller / horror, surreal in texture. Nihilistic, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →1975, Swiss Alps: In a remote mountain village, a beautiful and mysterious woman shows up. Only the village policeman takes care of the strange woman and tries to find out who she is. There are hints that she came from the Höhenalp Alp, where herdsmen do unthinkable things to get the company of women. Many dark truths are revealed that should better have remained hidden. A tragedy of lust, insanity and murder is brought to a seemlingly pure and perfect world. It is the beginning of a nightmare of religious insanity, hypocrisy, abuse and belief in demons, who destroys a young family and brings a whole village to destruction.
Our read · Sennentuntschi: Curse of the Alps (2010) reads as a heavy, kinetic, surreal thriller · horror · mystery entry — extreme in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
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The shape of Sennentuntschi
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.
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