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Sinners and Saints (2010) poster

2010 · action · crime · thriller

Sinners and Saints

Directed by William Kaufman1h 44m2010

In lawless storm ravaged New Orleans, eleaguered Detective Sean Riley is trying to cope with the death of his young son and the abandonment of his wife. Facing a probable suspension from the department, Riley is teamed with a young homicide Detective, Will Ganz, to help solve a series of brutal murders that have plunged the city into a major gang war. The two quickly realize there is something far more sinister going on than either could have ever imagined.

Our read: Sinners and Saints (2010) reads as a heavy, breathless, grounded action · crime · thriller entry — extreme in intensity, mid-stakes in scope, cold in temperature, ambivalent in outlook.

Movie DNA

Heavy, breathless, extreme action / crime, grounded in texture. Ambivalent, mid-stakes, cold.

ElsewhereIMDb6.16k
  • heavy
  • kinetic
  • extreme
  • cold
Game · before you press play

Watching Sinners and Saints tonight? Spin for your lens.

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Where the cast leads
DNA · twelve axes

How Sinners and Saints feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
Tonight, this looks like

What watching it is actually like.

“You want gritty New Orleans cop action against gang conspiracies.”

ends unsettlingit leaves you shakengrabs you earlygrips by minute 5attention 3/5earns its length
Date nightWith friendsSoloWith parentsKids around
Heads-upgraphic violencegoredrug use

Skip it tonight — You dislike bloody shootouts or conspiracy thrillers with trauma.

Nearest by DNA

Eight films that feel like this one.

Closest in the twelve-axis space, not “people also liked”. All films like Sinners and Saints, with why →

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