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Stolen Kisses (1968) poster

1968 · drama · comedy · romance

Stolen Kisses

Directed by François Truffaut1h 30m1968

The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.

Our read: Stolen Kisses (1968) reads as a warm, kinetic, grounded drama · comedy · romance entry — gentle in intensity, intimate in scope, measured in temperature, ambivalent in outlook, with a strong directorial signature.

Movie DNA

Warm, kinetic, gentle drama / comedy, grounded in texture. Ambivalent, intimate, measured.

ElsewhereIMDb7.515kRT97%TMDB7.3465
  • warm
  • brisk
  • gentle
  • intimate
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DNA · twelve axes

How Stolen Kisses feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
Tonight, this looks like

What watching it is actually like.

“You want charming Parisian romantic mischief with New Wave ease.”

ends bittersweetit stays with yousteady all the waygrips by minute 5attention 3/5breezes bysubtitles: full
Date nightWith friendsSoloWith parentsKids around

Skip it tonight — You dislike reading subtitles or aimless young-lover wandering.

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