Swamp Shark
- sombre
- kinetic
- extreme
- epic-stakes
Sombre, breathless, extreme action / adventure, inventive in texture. Ambivalent, epic, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Open on gorgeous swamplands of the Atchafalaya Basin in the summer. Lots of beautiful teens are at the beach the weekend before Gator Fest. That night an animal smuggling deal goes wrong and a large sea creature escapes into a swampy backwoods river. At the McDaniel's "Gator Shack" restaurant, a local, Jackson is drunk, and gets mangled to bits. The town sheriff blames the carnage on the McDaniel's "escaped" pack of gators and tries hauling them off to jail. Rachel McDaniel, head of the family, claims to have seen the fin of a shark! Rachel and her family, along with the help of a mysterious stranger, Charlie, take on the Swampshark and the law to clear their names, save Rachel's kid sister Krystal and prevent the unwitting folks at the upcoming Gator Fest from being torn to shreds by a beast the likes of which no one has ever seen!
Our read · Swamp Shark (2011) reads as a sombre, breathless, inventive action · adventure · comedy entry — extreme in intensity, epic-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
No streaming listing for Latvia right now — try the search links below.
More info & search links
The shape of Swamp Shark
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself