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The Animal (2001) poster

2001 · comedy · sci-fi

The Animal

Directed by Luke Greenfield1h 23m2001

When loser Marvin Mange is involved in a horrible car accident, he's brought back to life by a deranged scientist as half man and half animal. His newfound powers are awesome -- but their adverse side effects could take over his life. Now, Marvin must fight to control his crazy primal urges around his new squeeze, Rianna, and his rival, Sgt. Sisk, who both think he's one cool cat.

Our read: The Animal (2001) reads as a warm, kinetic, surreal comedy · sci-fi entry — gentle in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook.

Movie DNA

Warm, kinetic, gentle comedy / sci-fi, surreal in texture. Ambivalent, mid-stakes, measured.

ElsewhereIMDb4.867kRT30%Metacritic43
  • warm
  • brisk
  • gentle
  • inventive
Game · before you press play

Watching The Animal tonight? Spin for your lens.

Everyone on the couch spins once and gets one craft to watch for. After the credits, compare what you caught.

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Everyone on the couch gets one craft to watch for. Spin the wheel to get yours. Sound on: the narrator reads your mission.

Where to watch
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Where the cast leads
DNA · twelve axes

How The Animal feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
Tonight, this looks like

What watching it is actually like.

“You want lowbrow early-2000s body-humor nonsense with animal instincts.”

ends warmyou’ll be fine aftergrabs you earlygrips from the openattention 2/5breezes by
Date nightWith friendsSoloWith parentsKids around
Heads-upcringe humiliationexplicit sex

Skip it tonight — You cringe at Rob Schneider comedies or want jokes that aged gracefully.

Nearest by DNA

Eight films that feel like this one.

Closest in the twelve-axis space, not “people also liked”. All films like The Animal, with why →

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