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The Broken (2008) poster

2008 · thriller · drama · horror

The Broken

Directed by Sean Ellis1h 33m2008

The life of a successful radiologist spirals out of control when she sees the spitting image of herself driving down a London street. While attempting to uncover who the imposter could be, she stumbles into a terrifying mystery that her family and closest friends are somehow involved in, leaving her with no one to trust.

Our read: The Broken (2008) reads as a heavy, measured, inventive thriller · drama · horror entry — measured in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook.

Movie DNA

Heavy, measured, measured thriller / drama, inventive in texture. Nihilistic, mid-stakes, cold.

ElsewhereIMDb5.411kRT51%
  • heavy
  • measured
  • intense
  • inventive
  • bleak
  • cold
Game · before you press play

Watching The Broken tonight? Spin for your lens.

Everyone on the couch spins once and gets one craft to watch for. After the credits, compare what you caught.

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Everyone on the couch gets one craft to watch for. Spin the wheel to get yours. Sound on: the narrator reads your mission.

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Where the cast leads
DNA · twelve axes

How The Broken feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
Tonight, this looks like

What watching it is actually like.

“You want elegant doppelganger dread that peels reality back slowly.”

ends unsettlingit leaves you shakena slow buildgrips by minute 25attention 4/5earns its lengthsubtitles: partial
Date nightWith friendsSoloWith parentsKids around

Skip it tonight — You need answers or hate slow-burn surreal horror without relief.

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Closest in the twelve-axis space, not “people also liked”. All films like The Broken, with why →

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