The Canterbury Tales (1972) poster
1972 · drama · comedy · italian

The Canterbury Tales

Directed by Pier Paolo Pasolini1h 51m1972
ElsewhereIMDb6.39kRT60%TMDB6.1234
  • inventive
Movie DNA

Neutral, steady, measured drama / comedy, inventive in texture. Nihilistic, intimate, measured.

How every film is hand-scored →

Glimpses of Chaucer penning his famous work are sprinkled through this re-enactment of several of his stories.

Our read · The Canterbury Tales (1972) reads as a neutral, steady, inventive drama · comedy · italian entry — measured in intensity, intimate in scope, measured in temperature, nihilistic in outlook, with a strong directorial signature.

Where the cast leads
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The shape of The Canterbury Tales

Tonight, this looks like

What watching it is actually like.

You want raw Chaucer chapter-film chaos with medieval bodies unashamed.

ends bittersweetit stays with yousteady all the waygrips by minute 5attention 3/5feels its lengthsubtitles: partial
Date nightWith friendsSoloWith parentsKids around
Heads-upnudityexplicit sexgraphic violence

Skip it tonightYou are uncomfortable with graphic sex in period slapstick tonight.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
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