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The Dancer (2016) poster

2016 · drama · history

The Dancer

Directed by Stéphanie Di Giusto1h 48m2016

A young woman from the American Midwest, Loïe Fuller became the toast of the Folies Bergère at the turn of the 20th century and an icon of the Belle Epoque. Inventor of the breathtaking Serpentine Dance, she was a pioneer of modern dance and lighting techniques. It was her complicated relationship to her protégé - Isadora Duncan – that precipitated the downfall of this early 20th century icon.

Our read: The Dancer (2016) reads as a sombre, measured, inventive drama · history entry — measured in intensity, intimate in scope, measured in temperature, ambivalent in outlook.

Movie DNA

Sombre, measured, measured drama / history, inventive in texture. Ambivalent, intimate, measured.

ElsewhereIMDb6.53kRT54%Metacritic44
  • sombre
  • measured
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Where the cast leads
DNA · twelve axes

How The Dancer feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
Tonight, this looks like

What watching it is actually like.

“You want a lush Belle Epoque dance biopic about artistic obsession and rivalry.”

ends bittersweetit stays with yousteady all the waygrips by minute 10attention 3/5earns its lengthsubtitles: partial
Date nightWith friendsSoloWith parentsKids around
Heads-upnuditysuicide theme

Skip it tonight — Skip if tragic artist downfalls or period drama bore you tonight.

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Closest in the twelve-axis space, not “people also liked”. All films like The Dancer, with why →

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