The Entitled (2011) poster
2011 · thriller · crime · survival

The Entitled

Directed by Aaron Woodley1h 31m2011
ElsewhereIMDb6.17k
  • sombre
  • brisk
  • extreme
  • inventive
  • twisty
Movie DNA

Sombre, kinetic, extreme thriller / crime, inventive in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.

How every film is hand-scored →

Without the security of the job he wants or the future he dreamed of, Paul Dynan plans the perfect crime to help his struggling family – abduct the socialite children of three wealthy men and collect a ransom of $3-million dollars. Over the course of one long night, Paul and his accomplices hold the rich kids hostage awaiting the ransom with little idea of the secrets that will surface between the fathers when they are forced to choose between their children and their money.

Our read · The Entitled (2011) reads as a sombre, kinetic, inventive thriller · crime · survival entry — extreme in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of The Entitled

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

Eight films that read most like this one.

Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.

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