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The Good Lie (2014) poster

2014 · drama

The Good Lie

Directed by Philippe Falardeau1h 50m2014

A young refugee of the Sudanese Civil War who wins a lottery for relocation to the United States with three other lost boys. Encountering the modern world for the first time, they develop an unlikely friendship with a brash American woman assigned to help them, but the young man struggles to adjust to this new life and his feelings of guilt about the brother he left behind.

Our read: The Good Lie (2014) reads as a warm, steady, grounded drama entry — measured in intensity, mid-stakes in scope, tender in temperature, redemptive in outlook.

Movie DNA

Warm, steady, measured drama, grounded in texture. Redemptive, mid-stakes, tender.

ElsewhereIMDb7.435kRT85%Metacritic65
  • warm
  • redemptive
  • tender
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Where the cast leads
DNA · twelve axes

How The Good Lie feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
Tonight, this looks like

What watching it is actually like.

“You want refugee brothers finding hope and guilt in Kansas.”

ends warmyou’ll feel glowing aftera slow buildgrips by minute 20attention 3/5earns its lengthsubtitles: partial
Date nightWith friendsSoloWith parentsKids around
Heads-upchild perilgraphic violence

Skip it tonight — Skip if war-trauma openings and adjustment drama feel too heavy.

Nearest by DNA

Eight films that feel like this one.

Closest in the twelve-axis space, not “people also liked”. All films like The Good Lie, with why →

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