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The Homesman (2014) poster

2014 · western · drama

The Homesman

Directed by Tommy Lee Jones2h 2m2014

When three women living on the edge of the American frontier are driven mad by harsh pioneer life, the task of saving them falls to the pious, independent-minded Mary Bee Cuddy. Transporting the women by covered wagon to Iowa, she soon realizes just how daunting the journey will be, and employs a low-life drifter, George Briggs, to join her. The unlikely pair and the three women head east, where a waiting minister and his wife have offered to take the women in. But the group first must traverse the harsh Nebraska Territories marked by stark beauty, psychological peril and constant threat.

Our read: The Homesman (2014) reads as a heavy, measured, grounded western · drama entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook.

Movie DNA

Heavy, measured, measured western / drama, grounded in texture. Nihilistic, intimate, cold.

ElsewhereIMDb6.638kRT81%Metacritic68TMDB6.5877
  • heavy
  • measured
  • intense
  • bleak
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DNA · twelve axes

How The Homesman feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
Tonight, this looks like

What watching it is actually like.

“You want a bleak frontier western about madness, mercy, and lonely courage.”

ends devastatingit will wreck youa slow buildgrips by minute 22attention 4/5earns its length
Date nightWith friendsSoloWith parentsKids around
Heads-upsexual violencenuditychild perilgraphic violence

Skip it tonight — Frontier insanity, infant peril, and forced intimacy are dealbreakers tonight.

Nearest by DNA

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Closest in the twelve-axis space, not “people also liked”. All films like The Homesman, with why →

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