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The Maid (2005) poster

2005 · horror · thriller · supernatural

The Maid

Directed by Kelvin Tong1h 33m2005

Alone for the first time and away from her family in rural Philippines, Rosa Dimaano arrives in the cosmopolitan city state of Singapore to work as a maid. Her employers Mr and Mrs Teo runs a Chinese Teochew dialect opera troupe takes well to their new domestic help. So do their mentally disabled son, Ah Soon. In Chinese superstition, the seventh month of the lunar calendar is regarded as the month when the gates of hell open for forsaken spirits to walk the earth for 30 days. Unknown to Rosa, she arrives on the eve and her hell is about to begin.

Our read: The Maid (2005) reads as a heavy, steady, inventive horror · thriller · supernatural entry — measured in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook.

Movie DNA

Heavy, steady, measured horror / thriller, inventive in texture. Nihilistic, mid-stakes, cold.

ElsewhereIMDb5.71k
  • heavy
  • intense
  • bleak
  • cold
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Where the cast leads
DNA · twelve axes

How The Maid feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
Tonight, this looks like

What watching it is actually like.

“You want a Singaporean ghost story about a Filipino maid facing cultural and supernatural fears.”

ends unsettlingit leaves you shakensteady all the waygrips by minute 10attention 3/5earns its lengthsubtitles: partial
Date nightWith friendsSoloWith parentsKids around
Heads-upjump scares

Skip it tonight — Skip if Asian horror with ghosts during festival month feels too creepy tonight.

Nearest by DNA

Eight films that feel like this one.

Closest in the twelve-axis space, not “people also liked”. All films like The Maid, with why →

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