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The Mannequin (2025) poster

2025 · horror · thriller · crime

The Mannequin

Directed by John Berardo1h 25m2025

A stylist assistant investigates her sister's death in a historic LA building, only to face a vengeful ghost of a serial killer who dismembered victims decades ago. She must escape before she's next.

Our read: The Mannequin (2025) reads as a heavy, kinetic, surreal horror · thriller · crime entry — extreme in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook.

Movie DNA

Heavy, kinetic, extreme horror / thriller, surreal in texture. Nihilistic, mid-stakes, cold.

ElsewhereIMDb4.7140RT68%
  • heavy
  • brisk
  • extreme
  • inventive
  • bleak
  • cold
Game · before you press play

Watching The Mannequin tonight? Spin for your lens.

Everyone on the couch spins once and gets one craft to watch for. After the credits, compare what you caught.

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Everyone on the couch gets one craft to watch for. Spin the wheel to get yours. Sound on: the narrator reads your mission.

Where to watch
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Where the cast leads
DNA · twelve axes

How The Mannequin feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
Tonight, this looks like

What watching it is actually like.

“You want a stylish LA horror about a vengeful mannequin ghost and a haunted building.”

ends unsettlingit leaves you shakena slow buildgrips by minute 35attention 3/5earns its length
Date nightWith friendsSoloWith parentsKids around
Heads-upjump scaresgraphic violence

Skip it tonight — Skip if jump scares, ghosts, and dismemberment stories will haunt you.

Nearest by DNA

Eight films that feel like this one.

Closest in the twelve-axis space, not “people also liked”. All films like The Mannequin, with why →

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