The Marquis (2011) poster
2011 · comedy · heist

The Marquis

Directed by Dominique Farrugia1h 28m2011
ElsewhereIMDb4.9878
  • warm
  • brisk
  • gentle
Movie DNA

Warm, kinetic, gentle comedy / heist, grounded in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.

How every film is hand-scored →

Thomas Gardesse, a traveling alarm systems salesman, is arrested for a minor offense and sentenced to six months imprisonment. To win the respect of his fellow inmates, he claims he is "The Marquis," a brilliant robber whose identity has remained a mystery. Two weeks before his release, an armed robber named Quentin Tasseau helps him escape and takes him to Manila so he can take part in a robbery whose mastermind requires the talents of the Marquis.

Our read · The Marquis (2011) reads as a warm, kinetic, grounded comedy · heist entry — gentle in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of The Marquis

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

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Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.

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