
The Marquis
- warm
- brisk
- gentle
Warm, kinetic, gentle comedy / heist, grounded in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Thomas Gardesse, a traveling alarm systems salesman, is arrested for a minor offense and sentenced to six months imprisonment. To win the respect of his fellow inmates, he claims he is "The Marquis," a brilliant robber whose identity has remained a mystery. Two weeks before his release, an armed robber named Quentin Tasseau helps him escape and takes him to Manila so he can take part in a robbery whose mastermind requires the talents of the Marquis.
Our read · The Marquis (2011) reads as a warm, kinetic, grounded comedy · heist entry — gentle in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.




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The shape of The Marquis
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
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