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The Misfits (1961) poster

1961 · drama · western

The Misfits

Directed by John Huston2h 4m1961

While filing for a divorce, beautiful ex-stripper Roslyn Taber ends up meeting aging cowboy-turned-gambler Gay Langland and former World War II aviator Guido Racanelli. The two men instantly become infatuated with Roslyn and, on a whim, the three decide to move into Guido's half-finished desert home together. When grizzled ex-rodeo rider Perce Howland arrives, the unlikely foursome strike up a business capturing wild horses.

Our read: The Misfits (1961) reads as a sombre, kinetic, grounded drama · western entry — measured in intensity, intimate in scope, measured in temperature, ambivalent in outlook.

Movie DNA

Sombre, kinetic, measured drama / western, grounded in texture. Ambivalent, intimate, measured.

ElsewhereIMDb7.225kRT94%Metacritic77TMDB7.0432
  • sombre
  • brisk
  • intense
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Availability in Latvia · via JustWatch

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Where the cast leads
DNA · twelve axes

How The Misfits feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
Tonight, this looks like

What watching it is actually like.

“You want faded-cowboy Nevada melancholy with Monroe at her most exposed.”

ends bittersweetit stays with youa slow buildgrips by minute 20attention 4/5feels its length
Date nightWith friendsSoloWith parentsKids around
Heads-upanimal harm

Skip it tonight — You cannot stomach mustang roundup cruelty or two hours of talk.

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Closest in the twelve-axis space, not “people also liked”. All films like The Misfits, with why →

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