
1976 · western · revisionist · outlaw
Directed by Arthur Penn2h 6m1976
When vigilante land baron David Braxton hangs one of the best friends of cattle rustler Tom Logan, Logan's gang decides to get even by purchasing a small farm next to Braxton's ranch. From there the rustlers begin stealing horses, using the farm as a front for their operation. Determined to stop the thefts at any cost, Braxton retains the services of eccentric sharpshooter Robert E. Lee Clayton, who begins ruthlessly taking down Logan's gang.
Our read: The Missouri Breaks (1976) reads as a sombre, kinetic, inventive western · revisionist · outlaw entry — measured in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook.
Sombre, kinetic, measured western / revisionist, inventive in texture. Ambivalent, mid-stakes, measured.
Everyone on the couch spins once and gets one craft to watch for. After the credits, compare what you caught.
Your lens for tonight
?
Everyone on the couch gets one craft to watch for. Spin the wheel to get yours. Sound on: the narrator reads your mission.
Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.
“You want a weird revisionist western where Brando derails every solemn gunfight.”
Skip it tonight — Skip if eccentric violence and meandering frontier plot feel too indulgent.
Closest in the twelve-axis space, not “people also liked”. All films like The Missouri Breaks, with why →
Pick a mood, get a film the whole couch will enjoy, and give everyone something to watch for.
Pick tonight's film →