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The Missouri Breaks (1976) poster

1976 · western · revisionist · outlaw

The Missouri Breaks

Directed by Arthur Penn2h 6m1976

When vigilante land baron David Braxton hangs one of the best friends of cattle rustler Tom Logan, Logan's gang decides to get even by purchasing a small farm next to Braxton's ranch. From there the rustlers begin stealing horses, using the farm as a front for their operation. Determined to stop the thefts at any cost, Braxton retains the services of eccentric sharpshooter Robert E. Lee Clayton, who begins ruthlessly taking down Logan's gang.

Our read: The Missouri Breaks (1976) reads as a sombre, kinetic, inventive western · revisionist · outlaw entry — measured in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook.

Movie DNA

Sombre, kinetic, measured western / revisionist, inventive in texture. Ambivalent, mid-stakes, measured.

ElsewhereIMDb6.513kRT77%Metacritic65TMDB6.5245
  • sombre
  • brisk
  • intense
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DNA · twelve axes

How The Missouri Breaks feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
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What watching it is actually like.

“You want a weird revisionist western where Brando derails every solemn gunfight.”

ends ambiguousit stays with youa slow buildgrips by minute 25attention 4/5feels its length
Date nightWith friendsSoloWith parentsKids around
Heads-upgraphic violenceanimal harm

Skip it tonight — Skip if eccentric violence and meandering frontier plot feel too indulgent.

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