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The Stranger (2014) poster

2014 · thriller · horror · mystery

The Stranger

Directed by Guillermo Amoedo1h 33m2014

A supernatural thriller, laced by flashbacks, and set in Canada’s North-West, “The Stranger” turns on the mysterious titular figure of Martin, who comes to a small quiet town seeking to kill his wife Ana who suffers from a very dangerous decease that makes her addicted to human blood - just like himself-. However, when he arrives to the town, he discovers that Ana has been dead for a couple of years and decides to commit suicide to definitely eradicate this dangerous decease, but, before he can do it, Martin's brutally attacked by three local thugs led by Caleb, the son of a corrupt police lieutenant, and the incident suddenly starts a snowball that will plunge the community into a bloodbath.

Our read: The Stranger (2014) reads as a heavy, kinetic, inventive thriller · horror · mystery entry — extreme in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook.

Movie DNA

Heavy, kinetic, extreme thriller / horror, inventive in texture. Nihilistic, mid-stakes, cold.

ElsewhereIMDb4.93kRT23%Metacritic32
  • heavy
  • brisk
  • extreme
  • bleak
  • cold
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Where the cast leads
DNA · twelve axes

How The Stranger feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
Tonight, this looks like

What watching it is actually like.

“You want to be gripped by a mysterious stranger hunting his blood-addicted wife in a quiet town.”

ends unsettlingit leaves you shakensteady all the waygrips by minute 15attention 3/5breezes by
Date nightWith friendsSoloWith parentsKids around
Heads-upgraphic violencegore

Skip it tonight — You want grounded thrillers without supernatural bloodlust.

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Closest in the twelve-axis space, not “people also liked”. All films like The Stranger, with why →

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