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The Twin (2022) poster

2022 · horror · mystery · supernatural

The Twin

Directed by Taneli Mustonen1h 49m2022

Every parent's worst nightmare is just the beginning for Rachel's ordeal as in the aftermath of a tragic accident, she and her husband Anthony decide to move to the other side of the world to focus on their surviving twin son Elliot. What begins as a time of healing and isolation in the Finnish countryside turns into a desperate battle for the very soul of their son as an entity claiming to be his dead twin brother takes over Elliot — setting Rachel on a diabolical journey to unravel the horrible truth about her twin son.

Our read: The Twin (2022) reads as a heavy, measured, inventive horror · mystery · supernatural entry — measured in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook.

Movie DNA

Heavy, measured, measured horror / mystery, inventive in texture. Nihilistic, mid-stakes, cold.

ElsewhereIMDb5.15kRT43%Metacritic40
  • heavy
  • measured
  • intense
  • bleak
  • cold
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Where the cast leads
DNA · twelve axes

How The Twin feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
Tonight, this looks like

What watching it is actually like.

“You want psychological horror about grief, twins, and a mother losing grip in rural Finland.”

ends unsettlingit leaves you shakena slow buildgrips by minute 8attention 4/5earns its length
Date nightWith friendsSoloWith parentsKids around
Heads-upgraphic violencechild peril

Skip it tonight — You want fun horror or cannot handle child death and possession themes.

Nearest by DNA

Eight films that feel like this one.

Closest in the twelve-axis space, not “people also liked”. All films like The Twin, with why →

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