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The World, the Flesh and the Devil (1959) poster

1959 · post-apocalyptic · last-man · race

The World, the Flesh and the Devil

Directed by Ranald MacDougall1h 35m1959

Ralph Burton is a miner who is trapped for several days as a result of a cave-in. When he finally manages to dig himself out, he realizes that all of mankind seems to have been destroyed in a nuclear holocaust. He travels to New York City only to find it deserted. Making a life for himself there, he is flabbergasted to eventually find Sarah Crandall, who also managed to survive. Together, they form a close friendship until the arrival of Benson Thacker who has managed to pilot his small boat into the city's harbor. At this point, tensions rise between the three, particularly between Thacker, who is white, and Burton, who is black.

Our read: The World, the Flesh and the Devil (1959) reads as a sombre, steady, grounded post-apocalyptic · last-man · race entry — measured in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook.

Movie DNA

Sombre, steady, measured post-apocalyptic / last-man, grounded in texture. Ambivalent, mid-stakes, measured.

ElsewhereIMDb6.84kTMDB6.479
  • sombre
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DNA · twelve axes

How The World, the Flesh and the Devil feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
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What watching it is actually like.

“You want a thoughtful 1950s post-apocalypse drama with three survivors facing race and jealousy.”

ends upliftingit stays with youa slow buildgrips by minute 25attention 3/5earns its length
Date nightWith friendsSoloWith parentsKids around

Skip it tonight — Skip if slow 50s pacing or unresolved love triangle stories frustrate you.

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