
1950 · poverty · youth · neorealism
Directed by Luis Buñuel1h 22m1950
A group of juvenile delinquents live a violent life in the infamous slums of Mexico City; among them Pedro, whose morality is gradually corrupted and destroyed by the others.
Our read: The Young and the Damned (1950) reads as a heavy, kinetic, inventive poverty · youth · neorealism entry — extreme in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature.
Heavy, kinetic, extreme poverty / youth, inventive in texture. Nihilistic, mid-stakes, cold.
Everyone on the couch spins once and gets one craft to watch for. After the credits, compare what you caught.
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Everyone on the couch gets one craft to watch for. Spin the wheel to get yours. Sound on: the narrator reads your mission.
Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.
“You want unflinching neorealism about street kids with no sentimental safety net.”
Skip it tonight — You need hope tonight; Buñuel offers clarity, not comfort, about poverty's cruelty.
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