There's No Religion Anymore
- warm
- brisk
- gentle
- tender
Warm, kinetic, gentle comedy, grounded in texture. Redemptive, mid-stakes, tender, hand-scored across twelve axes of taste.
How every film is hand-scored →Set on the small island of Porto Buio, the traditional live Christmas Nativity scene might not go ahead because the baby who’s always played Jesus has grown up and no new babies have been born on the island in years! With this fundamental tradition on the line, newly elected Mayor Cecco (Claudio Bisio) wants to ask the local Tunisian community to “borrow” one of their children, but there’s conflict between the two communities. Cecco enlists the help of local Islam convert Bilal (Alessandro Gassman) to cross the cultural divide… but both communities are not sure what to make of a baby Jesus that may need his nationality, and even his religion changed!
Our read · There's No Religion Anymore (2016) reads as a warm, kinetic, grounded comedy entry — gentle in intensity, mid-stakes in scope, tender in temperature, redemptive in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
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The shape of There's No Religion Anymore
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself