
1985 · neo-noir · counterfeit · cop
Directed by William Friedkin1h 56m1985
When his longtime partner on the force is killed, reckless U.S. Secret Service agent Richard Chance vows revenge, setting out to nab dangerous counterfeit artist Eric Masters.
Our read: To Live and Die in L.A. (1985) reads as a heavy, breathless, grounded neo-noir · counterfeit · cop entry — extreme in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature.
Heavy, breathless, extreme neo-noir / counterfeit, grounded in texture. Nihilistic, mid-stakes, cold.
Everyone on the couch spins once and gets one craft to watch for. After the credits, compare what you caught.
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Everyone on the couch gets one craft to watch for. Spin the wheel to get yours. Sound on: the narrator reads your mission.
Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.
“You want sweaty eighties LA crime with a legendary adrenaline opening.”
Skip it tonight — Skip if you need a hopeful ending after morally gray cop obsession.
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