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To Live and Die in L.A. (1985) poster

1985 · neo-noir · counterfeit · cop

To Live and Die in L.A.

Directed by William Friedkin1h 56m1985

When his longtime partner on the force is killed, reckless U.S. Secret Service agent Richard Chance vows revenge, setting out to nab dangerous counterfeit artist Eric Masters.

Our read: To Live and Die in L.A. (1985) reads as a heavy, breathless, grounded neo-noir · counterfeit · cop entry — extreme in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature.

Movie DNA

Heavy, breathless, extreme neo-noir / counterfeit, grounded in texture. Nihilistic, mid-stakes, cold.

ElsewhereIMDb7.346kRT89%Metacritic81TMDB7.1787
  • heavy
  • kinetic
  • extreme
  • bleak
  • cold
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DNA · twelve axes

How To Live and Die in L.A. feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
Tonight, this looks like

What watching it is actually like.

“You want sweaty eighties LA crime with a legendary adrenaline opening.”

ends devastatingit will wreck youa rollercoastergrips from the openattention 4/5earns its lengthsubtitles: partial
Date nightWith friendsSoloWith parentsKids around
Heads-upgraphic violencedrug usenudity

Skip it tonight — Skip if you need a hopeful ending after morally gray cop obsession.

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