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Trespass (2011) poster

2011 · thriller · crime · drama

Trespass

Directed by Joel Schumacher1h 31m2011

Kyle and Sarah Miller have it all: a huge gated house on the water, fancy cars, and the potential for romance in their relationship. He's just back from a business trip and their teen daughter Avery is sneaking out to a party, when four thugs in security uniforms and ski masks stage a home invasion. They want what's in the safe: cash and diamonds. As Kyle stalls them, trying to negotiate for Sarah's freedom, the fault lines in Kyle and Sarah's marriage and the pasts of the four robbers come into play. Is there room here for heroism?

Our read: Trespass (2011) reads as a heavy, steady, grounded thriller · crime · drama entry — extreme in intensity, epic-stakes in scope, measured in temperature, nihilistic in outlook.

Movie DNA

Heavy, steady, extreme thriller / crime, grounded in texture. Nihilistic, epic, measured.

ElsewhereIMDb5.347kRT9%Metacritic37
  • heavy
  • extreme
  • twisty
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Everyone on the couch spins once and gets one craft to watch for. After the credits, compare what you caught.

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Where the cast leads
DNA · twelve axes

How Trespass feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
Tonight, this looks like

What watching it is actually like.

“You want a claustrophobic home-invasion thriller with Cage and Kidman fighting back.”

ends triumphantit leaves you shakengrabs you earlygrips from the openattention 3/5breezes by
Date nightWith friendsSoloWith parentsKids around
Heads-upgraphic violencedrug usejump scares

Skip it tonight — Skip if overheated performances, hostage tension, and B-movie chaos annoy you.

Nearest by DNA

Eight films that feel like this one.

Closest in the twelve-axis space, not “people also liked”. All films like Trespass, with why →

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