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U.S. Marshals (1998) poster

1998 · thriller · crime · action

U.S. Marshals

Directed by Stuart Baird2h 11m1998

U.S. Marshal Sam Gerard is accompanying a plane load of convicts from Chicago to New York. The plane crashes spectacularly, and Mark Sheridan escapes. But when Diplomatic Security Agent John Royce is assigned to help Gerard recapture Sheridan, it becomes clear that Sheridan is more than just another murderer.

Our read: U.S. Marshals (1998) reads as a heavy, breathless, grounded thriller · crime · action entry — extreme in intensity, epic-stakes in scope, cold in temperature, nihilistic in outlook.

Movie DNA

Heavy, breathless, extreme thriller / crime, grounded in texture. Nihilistic, epic, cold.

ElsewhereIMDb6.6120kRT31%Metacritic47
  • heavy
  • kinetic
  • extreme
  • bleak
  • cold
  • twisty
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Where the cast leads
DNA · twelve axes

How U.S. Marshals feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
Tonight, this looks like

What watching it is actually like.

“You want Tommy Lee Jones chasing Wesley Snipes through swamps, rooftops, and conspiracies.”

ends triumphantyou’ll be fine aftersteady all the waygrips by minute 10attention 3/5feels its length
Date nightWith friendsSoloWith parentsKids around
Heads-upgraphic violence

Skip it tonight — You wanted Fugitive depth or dislike generic nineties action sequel energy.

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Closest in the twelve-axis space, not “people also liked”. All films like U.S. Marshals, with why →

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