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Women's Prison (2002) poster

2002 · drama · women · prison

Women's Prison

Directed by Manijeh Hekmat1h 46m2002

Spanning 18 years in an Iranian women's prison, this follows two women: the new prison warden, a tough as nails devout Muslim who has served in the army on the Iraqi front, and a young midwife, Mitra, who is serving her sentence for killing her mother's abusive husband. In the early years, Mitra is repeatedly punished as the warden tries to break her. This includes punishment for delivering a baby in the prison cell while all of the prison staff has taken shelter during an Iraqi bombing. The warden's attitude starts to change after 8 years, when Mitra tries to protect a new inmate from rape at the hands of her older cellmates. When the baby comes back in 1991 as a 17 year old delinquent, Sepideh, the warden respects Mitra enough to protect the girl.

Our read: Women's Prison (2002) reads as a heavy, steady, grounded drama · women · prison entry — measured in intensity, mid-stakes in scope, measured in temperature, nihilistic in outlook.

Movie DNA

Heavy, steady, measured drama / women, grounded in texture. Nihilistic, mid-stakes, measured.

ElsewhereIMDb6.5983TMDB5.99
  • heavy
  • intense
Video previewNo trailer available for this one.
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DNA · twelve axes

How Women's Prison feels to watch.

Each axis is scored by hand, not from votes or genre averages. The bar uses the film's own colours.

MoodHeavy ↔ Cosy
PacingSlow-burn ↔ Kinetic
IntensityGentle ↔ Extreme
WeirdnessConventional ↔ Surreal
HopeNihilistic ↔ Redemptive
StakesIntimate ↔ Epic
HumourNone ↔ Broad
RealityGrounded ↔ Fantastical
DensitySparse ↔ Twisty
WarmthCold ↔ Tender
AuteurTransparent ↔ Signature
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What watching it is actually like.

“You want a stark drama following women through years in an Iranian prison.”

ends bittersweetit stays with yousteady all the waygrips by minute 18attention 3/5earns its lengthsubtitles: full
Date nightWith friendsSoloWith parentsKids around
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Skip it tonight — You want escapist entertainment without grim social realities.

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