Films like Dillinger Is Dead.

Dillinger Is Dead (1969) reads as Sombre, slow-burn, measured drama / art-film, surreal in texture. Nihilistic, intimate, cold. Every film below is ranked by distance across the same twelve hand-scored axes — with what it keeps, and where it walks away. Not a genre dump.

Killed the Family and Went to the Movies (1969) poster
1. Killed the Family and Went to the Movies1969

Keeps the unmistakable directorial hand and the pitch-dark outlook; trades toward a cold, bleak undertow.

Willow Springs (1973) poster
2. Willow Springs1973

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Woman in the Dunes (1964) poster
3. Woman in the Dunes1964

Keeps the patient, unhurried pace and the cold, bleak undertow; trades toward a bone-dry seriousness.

Heart of Glass (1976) (1976) poster
4. Heart of Glass1976

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a bone-dry seriousness.

The Death of Maria Malibran (1972) poster
5. The Death of Maria Malibran1972

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

L'Avventura (1960) poster
6. L'Avventura1960

Keeps the cold, bleak undertow and the unmistakable directorial hand — one of the nearest reads in the catalogue.

3 Women (1977) poster
7. 3 Women1977

Keeps the patient, unhurried pace and the unmistakable directorial hand — one of the nearest reads in the catalogue.

Fragments of an Alms-Film (1972) poster
8. Fragments of an Alms-Film1972

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

The Angel Is Born (1969) poster
9. The Angel Is Born1969

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

Two or Three Things I Know About Her (1967) poster
10. Two or Three Things I Know About Her1967

Keeps the patient, unhurried pace and the unmistakable directorial hand; trades toward a cold, bleak undertow.

White and Black (1978) poster
11. White and Black1978

Keeps the patient, unhurried pace and the cold, bleak undertow — one of the nearest reads in the catalogue.

Giliap (1975) poster
12. Giliap1975

Keeps the patient, unhurried pace and the cold, bleak undertow; trades toward a strange, dreamlike logic.

These are Dillinger Is Dead’s neighbours — where are yours?

Rate five posters and the same twelve axes read you — then tonight’s pick comes from your own centre of taste.

Find my film for tonight — 60 sec →